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Silver Bells, Kid

by The Michael Character

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1.
It’s strange to acknowledge that I once thought That this shit mattered at all Like I would write a song And folks would be like “Wow!” And they would be so stoked that all the problems are finally gone But now, when Louie tells me he knit a scarf Man, I’m like, “Holy shit, that’s the real stuff!” I gotta get some skills Lest I remain The kind of person I am today The naivety of the utopian self I thought I was the one I could run the perfect house show I could hold myself accountable The shit-talking arrogance Like I know better Like I understand And you’d all do well to just follow directions It takes a lot of not listening to think you always have the answers “I’ve already done my work you see There’s nothing else that you can teach me!” But I don’t really know what you aim to be When your clout replaces your integrity And your need to be trusted Leads you to defend your character Even when you fuck up Or even when you do fucked up things Or even when you talk shit ‘bout the people who surround you ‘Cause it makes you feel real powerful It pumps your tires To be the most correct To be the only one who gets it Listen to how dumb that sounds Are you the only one who gets it? The hubris of believing That you’ve got something to say Is an essential component Of self-actualizing But what happens when you get comfortable? And confident? And popular? And great? Well you had better stare into the mirror And decide if you like what you see.
2.
29 03:16
Two old friends called out of the blue And I bloomed, I bloomed Later corner of the party like I’m 15 And I can’t feel alright Yea Friendship does it usually But some comforts illusory So take it to the courts and learn that fair is not the metric we use Hey gloom It’s already bad Take a good day Make my eyes wetter Drive to Portland Drive to Pittsburgh Drive to Philly Still feel depressed and Ill still Insinuate myself into your favorite shirt that wears with use Become ephemera from youth A postcard from a Disney cruise I don’t remember that conversation but I believe it when you say it changed you I miss you What’ll you do when your new friends leave too? What’ll you do when your new friends leave too? What’ll you do when your new friends leave too? Buckle up, I’m 29 now Build a home, try to find out What to do with the knowledge that things are gonna change The spots where you hang out, the communities you cultivate The people you see on the regular, the places you live as the rents rise up The music you hear on the radio, the things that young people say to you The love that you give out freely, and the hurt that comes just as easily The security blanket of family, the streets of my hometown in Jersey The dread and the sadness that hangs above, the red iron burn of a passionate love Your health if you’ve got it initially, The clout you command in the music scene The fictional futures you’ll strive for, the torturous weight of a loss borne Satisfaction with how you are living, and a durable sense of identity Yea all this and more is impermanent A fluid in motion you float within Predictions aren’t worth what you wrote them in Secondhand ink from shitty pen So I’m gonna try out more listening And I’ll take all the blows as they come to me I’ll live and I’ll love my community Then I’ll disappear into memory
3.
Careerism 01:10
Maybe the only suitable path now Lays through the brambles of careerism I could get that PhD dissertation written within Five to seven years depending on how fully I commit to it If I did another Master’s in something like administration I could be a high school vice principal With a pay bump and the same vacation Or I could do the higher ed thing Or I could keep my current position And try to supplement my pay By working hard at being a musician In point of fact, it’s quite easy to measure your life in a series of benchmarks Got the job and the house and the dog and the spouse and the brand new lease on car Maybe it’s a stupid life I buy that But It’d buy that.
4.
Trevor walks out of the grocery store I bought an avocado I wonder where it came from I wonder if it matters Inasmuch as my consumer choices make the world around me I’m not sure if I buy it, like individually Is it a neoliberal lie to think decisions that I make are that important? Cause following that line of thinking leaves me hopeless Theorizing liberation while I order a meal online, I’m feelin fine But to complain of comfort in the revolution in the abstract while disappearing gradually into the middle class is played and boring and devoid of critique And I’m no longer convinced that it’s not self serving too ‘Cause I believe in unions I believe collective action can make things better I believe in the power of the people But also I acknowledge that we aren’t all gonna be on the barricades Most folks just wanna live And there’s only so much consciousness that you can build Some folks are gonna go to work and raise their kids And I wonder what your social revolution would do for them? Easy conflict to have when you’ve got your food East conflict to have when you’ve got a roof Easy conflict to have when you get to choose Not much of a conflict when you’re born to lose Nothing new
5.
Saturday morning I stepped in a pile of dog shit on the walk to the red line It was looking to be a pretty good day I’m always down for surprises But never ready for plans to change I used to think that songs had to mean something So I tried to be original and penetrating But Connor used the word derivative, and meant it, and get this, he was right too Yea man, they did it all in the sixties so what’s left for me and you? Gimmie four walls and a porcelain vase and a dresser I’ll give ya the impression of a happy life Gimmie a microphone and a public address system I’ll give ya thirty minutes of reasons not to sleep at night Keep it together! Never to wake up from this Meteor returning to earth kind of break up shit You were hiding your bike in the trees While I was shaking my wallet for quarters for the meter Keep it going! Head to the door With parties like this what’s my empty apartment for? You were kickin’ up dust in the scene While I held it all in and then pissed in my jeans Hallelujah! Gimmie a one and a two and a three And I’ll bet the next digits even Gimmie a five and a ten and a fifteen And I’ll give ya pretty nice lie to believe in
6.
Maybe I’ll write a song that purports to reflect life as we really live it The Real People, capital P baby! And all of us are coal miners Or carpenters Or in the navy I’ll paint you a picture of a barbeque on the Fourth of July Unfurl the flag Let it fly, let it fly Beer and fishing And descriptions of women’s dresses in the summer heat All that real authentic stuff that generates a sense of national identity So pour another one We are on the beach Or, like, maybe on the back porch We are flipping burgers on some land I have the deed for We celebrate family, community, and passports We are xenophobic But we dress it up like love, so…
7.
May 2019 04:16
Early morning feel my belly bulge Disused sponge-eyes puckered in their holes In damaged ears it’s resonating “time to stand and fill some spaces” But I don’t wanna know How this shit unfolds without you Lonely summer Bakes a crust on me Aching histories underneath dead skin I know it’s you by the patterns of my phones vibrations I just can’t take this I make me sick I’m dipping out of the gig On the porch with the scenesters talking all this shit How they tripped on acid like I’m cool with it The late comers coming up the stairs I came here to breathe my own air So I’m out here waiting Now stuck for a while You inside patient With a kind smile

about

This is the 12th TMC record and features songs written between September of 2018 and July of 2019. Silver Bells, Kid is sort of a companion piece to Other Honey, both of which were recorded between August 17th and 18th of 2019 at Pink Noise Studios in Somerville.

While less specific in its subject matter than Other Honey, this record is, in keeping with TMC tradition, an encapsulation of the things that have occupied my mind for the last year...with some fun nonsense thrown in for good measure. Maybe it's all fun nonsense, actually. I'd sort of like to think that it's all fun nonsense. It is all fun nonsense, I've decided. Well, no, it's all fun nonsense that really, really, really matters, albeit in a limited and certainly *ultimately* unimportant way. Yea. I hope you like it. - James (9/27/2019)

credits

released September 29, 2019

All songs written by James Ikeda.
Engineered, produced, mixed, and mastered by Benjamin Greer.

The Band...
Larz Brogan - Drums
Michael “Two Tacos” Geacone - Bass
James Ikeda - Rhythm Guitar, Vocals
Matt O’Connor - Lead Guitar
Eric Cowan - Bass (on Porcelain Vase)
Mattie Hamer - Drums (on Porcelain Vase)

Major thanks to Greg & Chelsea at Dollhouse Lightning for putting this record out on cassette!

Recorded at Pink Noise Studios in Somerville, MA. Some lead guitar overdubs recorded in Ben’s new apartment, which he does respect.

Album art by Louis Roe.

Special thanks to Milner (for being utterly indispensable throughout the development of this record), Zachy (for the pool and the friendship), Vuch (because), the rest of the Bummer City crew (for the love and the support and the Waffles), Christine (for the stalwart fandom), Katy (for flying from California to attend the release show), Doc Henny for being the best tour partner ever, everyone who booked or attended a show of mine this year (bless you all), everyone else who has ever supported TMC as a project, and, of course, Steve's Kitchen in Allston, Sam's in Quincy, the Wheelhouse Diner in Quincy, the old Allston Diner (RIP), @Union's crunchy french toast, the Breakfast Club in Lower Allston, etc. etc. etc.

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The Michael Character Boston, Massachusetts

It's political music, whatever. Based in Boston, MA. Absolutely willing to drive very far to play for you and five of your vaguely alternative friends in your combination kitchen/laundry room. Hit me up. I'm fully serious.

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