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Wheelie?

by The Michael Character

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1.
Two Hands 02:12
I'm ashamed of my body I eat to much food When I go out on the town with my dude Chris But man, he's a real homie's homie let me tell you I work hard sometimes But others I lose interest in the very same things I do To keep mentally healthy And socially healthy And physically healthy That's why I'm not health I know you've got a lot going on Your cat is dying and your boyfriend's gone But I really need somebody to come out to the diner So I don't eat alone But some days the thought, it comes That I've got two hands and they can hold each other I'm still an awkward kid Still someone's little brother On the big chair in the corner at the party But I've got two hands and a heavy head To rest upon them, drooping like the streetlamps On the day we met We were sober then I did not regret Being who I am
2.
Celebrate 04:12
You have a good day, it's fine But people are starving somewhere So you spend all your time worried, disappointed, unsatisfied You fall into line, say "We won't smile until we all smile together!" This is you in your prime: You won't let anybody by happy 'till the Millennium arrives. **Chorus** But the state's still here The prisons are full The drone strikes continue There's bullies in our schools Systemic racism poisons our institutions And out globalized markets ensure widespread financial ruin But sometimes You've just go to know when to celebrate So every four years we act like we all give a shit Vapid presidential politics for no one's benefit Parroting a blog post title Parody of a republic ideal Vision so narrow we can barely see The forest for the trees Humanity on its knees Fake radical ideologies Self-serving social capital thieves So I guess the thing we gotta ask ourselves, though it might be tough is How can one live a productive life in the face of a world that sucks so much? We could take the critics' route-- Count all our dreams yet unfulfilled Convert all our dissatisfaction into social dollar bills, or We could walk organization Tackle issues in our midst And spend our many waking nights by all that's horrible transfixed Or maybe we should just give up-- Lay out all our hopes of a world more just a peaceful on that slippery-est of slopes: The nihilistic resignations faithless sweet release Just waiting 'round for entropy to gnash us with its teeth, but me, I take a different route that mixes all the others up Critique the world you see around you Organize for change and Love But don't forget to have perspective Take a step back here and there 'Cause only burnout waits for those who can't escape their own despair 'Cause hey-- **Chorus
3.
Now I get suspicious of people who leverage personal problems And marginalization For social gain Some sort of victimization hierarchy Makes your experience of life more good and true ...A fucked conclusion Pulled like teeth from hard-won validation that Nonetheless smears shit across the faces of People whose lives you don't value And that's fucked up But I get it: Hurt people hurt people and all that Some of us heal in ways that can be destructive And we can't all realistically be expected to forgive and deal with the people who fuck us up Certainly not always Maybe it's just gotta be that way But that doesn't mean we can't account for our own shit For the way we behave Just because you're anxious doesn't mean that you're not Acting like an asshole Hurting those around you Look, I've got weird destructive social tendencies too Like when I get all cold and distant Stop returning texts and Lose all interest in being someones friend For nothing they did Just because I'm feeling weird And I know that's not okay It's not like-- "Yo, I know you just really need to take care of yourself!" Wow! No, it's "friend you're fucking hurting people, cut this shit out right now" There's really such a thing as taking responsibility for your actions So please do it, just do it now
4.
Time, Keenly 01:54
I'm feeling time, keenly On my way into the city But when you're always moving forward, doesn't matter where you're going Until you wake up in the same old bed for three damn years The same fixture overhead And you're wondering "why???" Or you wake up in a different bed Every two or three months You never get no rest And you're wondering "why, why, why, why, why, why, why, WHY???" Just enough purpose to make it through the day Like you helped somebody out Or called your mom Or maybe you did some laundry Or applied for a new job So now you're feeling kinda shitty 'cause you can't get paid The kinda money that you need to feel okay BUT AT LEAST YOU CAN AFFORD A DOPE BURRITO FROM CHIPOTLE, (RIGHT?) HEY! You can hang out with your same old friends Every Friday at the dive, and trivia on weekends Or you can call up your favorite local band Throw a living room show Get your party pants and Dance. Now I'm feeling time, keenly On my way back from the city But though I'm always rushing forward It still matters where I'm going
5.
Interlude #2 01:32
Taking stock of these few early years Through all the shows and all the books and all the classes Acknowledging my true worries and fears Of losing friends and never getting thin and wasting time Through my whole life I've sat on park benches in the afternoon I've looked out at the markings of a season The winter trees and The summer sky The autumn leaves And springs bright colors all around me I've breathed those moments in And thought about my life Listening to tunes I wrote in 2009 You spend four years Post-grad Living a life you're not ashamed of So when you look back, it's not sad But will you be happy here next summer?
6.
Boy Wonder 03:08
My first trip to a psychologist I played with blocks and chatted with the doctor She told my mom that I was brilliant I was so eloquent for a five year old **Chorus I used to be a boy wonder Now I've become a man under pressure To be a notable something But I'm just alright at some things I was the sage of cabin B12 The summer I turned 13 years old The kids all thought I was a genius I talked about white dwarfs and black holes **Chorus Turned up in The Space when I was 18 Cut perfect rectangles with a jigsaw Got taken under some old wings Who said my carpentry would go far **Chorus 22 teaching high school Even my students couldn't believe it It was impressive for a man so young But what happens when you turn back the pages Of my tabletop calendar 'Till suddenly hearing "sir" doesn't sound like a mistake anymore **Chorus So now I'm turning 25 in New England Same old job Same old apartment Same disregard For taking new risks I should have been something by now I should have done something by now I should have helped someone by now I should have called my mom by now I should have practiced guitar by now I should have been a notable something But I'm just alright
7.
Long day at work So you come home to Fox News on the TV (**note, this is in reference to my old roommates, not my parents**) My mom says I expect too much from people I life lived in a world that makes me queasy 'Cause I remember... Omdurman Cambodia in the 70's And Bosnia I remember Wounded Knee And the removal of the Creek I remember Mahmudiyah And the Force Publique But this is my world that I love in So every time you breathe a jaded breath My heart collapses in distress I'm holding onto memories of mankind's darkest powers It's the ripples of that history which we play out by the hour What appears to you as isolated, wanting of real meaning Is to me the echoed sobs of my own human family bleeding So it might seem like I'm clinging to a world the world's moved on from But in my heart I know within us there is killer, victim, martyr, so... Please don't tell me to move on Please don't tell me to get over it Please don't tell me that the cry of "racism!' is overused And sometimes rich white faces get bruised too Please don't minimize our pain Or say people don't change 'Cause we've built a home upon this wretched earth So like this might not be the 60's But that doesn't mean we shouldn't do our (work) Go back to 1850 Bring your moderation with you On a journey through a history Marked with some important issues Like a legal system built to steal humanity away From like 4 million enslaved people Then I'd like to hear you say: "Hey! Abolition is too radical You have to dream of changes That exist WITHIN the system Strike with comfort in the range Of direct action that is meaningful to you You lefty bastards While remaining all the while Still convenient for the masters" FUCK THAT SHIT
8.
When You Die 02:38
I was in my boss's office Fumbling through paper Seeking a form of registration For a fingerprinting session Mandated by state government For all public employees Been putting this off for months It's time to get my act together Then you called me on my cell phone I was flustered when you did so You talked with power and conviction Complete emotional control You said your brother was in hospice He wouldn't last for too long Some sort of complication From a surgery last winter Then you cornered my attention And said you'd lived a life complete so After 94 years you Could ask for nothing more so I should Not be sad When you die
9.
Interlude #1 00:50
7:47pm Somewhere that coulda made me look cool in a picture Where I might have looked cool if you'd been there Where I didn't look cool, no one there cared Got a bite to eat, worried about money Paced the corner "Should I go to the show Or to home Or to someplace else?" Put my car in drive Hit that exit right 90 East (**note: I flipped these first two in the recording. Sorry.**) to 93 to Hancock Street to Newport Ave to Home Alone
10.
26 02:46
Lyrics: The height of my ambition is basically doing this Singing folk punk tunes in folk punk living rooms Might not seem glamorous Man I'm Feeling embarrassed by my hobbies when I talk to older people now Hey, wait, may-be that's not all true everyday with my memory tryina Say, stay, true to who I dreamt of being when I was nineteen When I was nineteen, when I was nineteen, but I'm 26 So now I'm feelin' old at the punk rock show I wake up really fuckin' early so I've got to go I'm sick of all my younger friends moving away To pursue the next stage of their lives while I stay but then I'm feeling like a kid at the staff party My colleagues talking bout their growing progeny And I'm standing in the corner like a middle school dance Looking down at my phone, a G & T in my hand Gettin older made it easier Cause now I know that I can be an alright person without Knowing what to talk about So I'm alone on the porch But I tell myself it's cool because I really dig the tunes and it is, and I do So I'll be keep rolling though and I'm not gonna leave any room for my insecurities to bother you! Sing it with me some of us are young Sing it with me some of us are old Sing it with me some of us are both of those relative to other people here right now Sing it with me ageism is real Sing it with me so respect your younger peers Sing it with me if you're feeling old who are you trying to please? What social standard are you violating? Be wary of a general anxiety manifesting itself as an issue of age like you hate your job and take it out on kids at the show cause you're feeling old but that's just you being unsatisfied with yourself So get over it --------------------------------------------------------

about

This is a collection of songs written between 2015 and 2016 that grapple in one way or another with the question of how to square the inevitability of aging, a greater appreciation for ideological nuance, a recognition of the utility of pragmatic action, and a desire to be of use with the opposing forces of a reductive, youthful idealism, imprecise moral outrage, and the creeping pressures of social conformity that seem to intensify with age. There is no resolution to be found in this record, just an incomplete dialectical framework for (poorly) mediating these tensions. That may well be the point of the whole thing.

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credits

released June 16, 2016

All songs written and performed by The Michael Character (aka James) who also co-produced the record.

Benjamin Greer of Sun Brewed Records recorded, engineered, co-produced, mixed, and mastered this record. He also played bass and electric guitar, programmed drums, and sang three words. He's the greatest.

Louis Roe did the album art. [Please support his amazing art, he's my #1 'Lil BroBro]

Thanks to Bishop & Rook for putting out the single, "26."

Thanks to Tim Gagnon from Allston Pudding for premiering the record!

Thanks to the whole Boston DIY scene for being super supportive always.

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James: Guitar, Vocals (all tracks)

Ben Greer: Backing vocals on "Boy Wonder," auxiliary percussion on "Interlude #1"

Fenn Macon: Gang vocals on "26," talking in "Two Hands"

Will Henriksen: Gang vocals on "26," backing vocals on "When You Die," talking in Two Hands

Lawn Care: Backing vocals on "26"

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The Michael Character Boston, Massachusetts

It's political music, whatever. Based in Boston, MA. Absolutely willing to drive very far to play for you and five of your vaguely alternative friends in your combination kitchen/laundry room. Hit me up. I'm fully serious.

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